General ravings, Remembering

Rewriting History, and Historical Mam…er…Memories

History is back in the news.

As the Union Education Ministry, the NCERT et al. embark on yet another exercise at rewriting Indian history, ostensibly with the noble purpose of creating better history textbooks for our school kids, yet again do we see the usual culprits—a plethora of netas and academia and intellectuals and activists and journalists and social media influencers cutting across ideological, political, religious, ignorance and idiocy spectra— snarling at one another over what should or should not be depicted in the history textbooks, and how the depictions should be done, and by whom, and so on ad nauseum.

Sounds familiar, no?

It’s always been like this. Since Independence. Every time a new political formation comes to power in Dilli, our netas and their chelas at once develop acute hysteria over history and  proceed to rewrite and re-rewrite already rewritten history … till the next elections come along and they are thrown out and the next lot comes in and does the same.

Over 25 years ago, my dear departed friend and colleague-writer Ghatotkacha had suggested what I still believe is a fine and most sustainable solution to the problem of how to depict our history…but sadly, no-one paid attention to him and he passed into history.  [You can, if you like, read about Ghatotkacha’s solution herebe warned, not for the faint-hearted or politically correct]

My own earliest yet most vivid and enduring memories of history are of historical mammaries.

Seriously.

I schooled in Shillong from 1962 to 1972, at the St Edmund’s School. The Irish Christian Brothers who ran the school were among the finest of teachers; but they were as thoroughly confused and clueless about the history curriculum prescribed for Indian schools as were the Powers-That- Were: meaning, the political leaders, academics, administrators, and affiliated geniuses at the Union and state levels who were responsible for deciding what kind of history we Indian kids were to be taught in Independent India.

And so, in the absence of any sensible guidance from the Powers-That-Were and non-availability of any decent standardized textbook on history for junior school kids, the Irish Brothers in their wisdom decided that we kids would read from a history book that was a kind of supplementary reader for kids our age in the United Kingdom.  And so in the mid-1960s, from Class 3 to Class 5 if I remember correctly, we kids read from a hardbound history textbook titled ‘The March of Time, authored by the rather interestingly- named E C T Horniblow and published in Britain in 1932.

The March of Time was a work of extraordinary beauty to us; well written, with large-sized text in attractive font  and many full-page illustrations in colour.

The March of Time was also a work of extraordinary irrelevance to us.

It taught us of historical characters we’d never heard our parents or anyone else ever mention before. We read of characters like Canute, and Ethelred, and Alfred the Great, and Angles, Saxons and Jutes; of Vikings; of Magna Carta (no, not the rock band), of Romulus and Remus being brought up by wolves and roaming around till they founded Rome (or perhaps I got it all wrong and they were actually lost till they found Rome?); of a Roman soldier named Horatio who stood on a narrow bridge over the Tiber with two other soldiers and fought off a million-strong army of horrible villains called ‘Goths’ (or were they Huns?).

I was particularly thrilled by the full-page depiction of Horatio and his friends fighting off the Goths/Huns; because some of the Goths/Huns   bore striking resemblance to adults I knew, including a couple of teachers and relatives.

All in all I found The March of Time very interesting, but quite mystifying.  I just couldn’t figure out what all those blue-eyed fair and lovely people and their stories in The March of Time had to do with my life or my past.

But I didn’t care—nor did any of my dishevelled-collared, muddy-shoed, classmates.

Because The March of Time also gifted us, on page 23 (or was it 25?), with a full-page depiction, in glorious colours, of the Celtic Queen Boadecia.  

Boadecia the Great, Boadecia the Beautiful, Boadecia the Warrior, who led the common people of Britain to revolt against their Roman rulers! Boadecia, who wielded a sword and possessed not only a courageous heart but the most magnificent and gravity-defying pair of mammaries we had ever seen in our less-than- ten-year-old lives.

No textbook in the world has ever been opened as frequently to page number 23 (or was it 25?) as we did The March of Time; no textbook page has ever been studied more intensely, pored over more devotedly or dog-eared more severely than that page with its full-colour depiction of Boadecia the Bodacious baring all (and Boadecia had a lot to bare, and she bared it very well indeed).

Boadecia left a lifelong impression on my/our young minds; she opened our eyes and minds to the beauty of history.

Even while writing this, I took five minutes off to try and find The March of Time’s incredible depiction of her on the Net…alas, to no avail. The portraits of Boadecia in Wikipedia etc. are pitiful, pathetic, fifth-rate imitations of the supremely endowed Boadecia we were privileged to gape at all those decades ago. 

Even today, whenever the word ‘bodice’ is uttered by anyone (admittedly a rare occurrence), all thoughts are instantly swept away from my disintegrating mind by a mighty flood that rises from the Cache of Ancient Memory; and in the flood’s wake there remains only one shining crystalline cerebro-neural vision, untarnished by decades—of  Boadecia the Bodacious, She of the Magnificent DD-scale natural resources.

Sadly, the March of Time itself is now but a mam…er…memory.

Still, considering the ghastly never-ending  arguments in India over how history should be written and taught,  I do believe I and my classmates were luckier than today’s school kids. We had a glimpse of a much better depiction of global history—rather, many glimpses of one glorious depiction of global (if not globular) history—during our school days in the 1960s.

Jai Hind. Hail Boadecia!

Musings, Potshots

Showing the British that it’s time to…er… drop the matter

It’s not often that I praise anything our government does.

Indeed, O patient and valued Reader, you might know that I’ve often taken pot-shots—if not broadsides—at the government; in this blog, and also in the edit-page columns of the Indian Express and other newspapers during those long-gone and more tolerant decades when they thought me fit to publish.  And I dare say I’ve always tried my best to ensure that my artillery barrages of fresh gobar, shaani, and other avatars of feihua and yamasimba are directed evenly across the political spectrum, from Left to Right:  from CPI(M) and its rabid fellow-travellers through the caste-ironed Dravida gangs and cow-belt Dals,  across the scandalous scandal-rocked Congress and apoplectic  AAPologists, to the tunnel-visioned BJP and Muslim League legions.

But today I must praise the government. Aye, I must praise this very NDA government,  led by Prime Minister Narendra Modi of the BJP.

Because this is the first time since 1997, when the late prime minister I K Gujral dismissed Britain as a ‘third-rate power’, that I’ve seen any Indian government or Indian political leader show the gumption and courage  to tell the British government what it is and what it should do with its behaviour towards India since 1947—behaviour that is a toxic  khichdi of arrogance, superciliousness, racism, contempt and plain hostility; behaviour that is, sadly, all too eagerly lapped up by many fawning Macaulay-haunted muttals among the English-educated citizens in our country.

Yes, today is different.

Today, the fetid vapours of decades of obsequiousness to Britain have been swept away by a zephyr of pure, clean desi air…and quite possibly, those fetid vapours will soon descend on the British diplomatic corps in the heart of Delhi, India.

Today, you see, the Indian government is constructing a public toilet right opposite the British High Commission in the capital.

Perhaps with this the British will learn to recognize why, when, where and how they should drop the matter. They might not discern the new flush of optimism that sweeps across India today; but surely they will discern – and tremble and gag – at every flush from the new public toilet.

Could there be a finer example of non-verbal diplomacy at its best?

Why, it conforms perfectly with the motto that I learned from my school: St Edmund’s, in Shillong, run by Catholics from Ireland (ah yes, those wonderful Irish teachers knew their Britain, and how to deal with the British, better than anyone else).

facta non verba.

Deeds…not words

Well done, Narendra Modi , S Jaishankar, et al.

Jai Hind.

General ravings, Musings

ChatGPT, and the Era of AI…AIiiiiyeeeee!

Has creativity ended…or only just begun?

Today I tried out ChatGPT.

ChatGPT is a ‘chatbot’ developed by OpenAI and launched in November 2022.  It can write virtually anything at all—stories, kid’s tales, essays, poems, lyrics—in any style you choose (however crazy you want it) in less than a few seconds.  All you have to do is type in your instructions in a little box. Try it out here.

So, I asked ChatGPT to write this:

Poem in Edgar Allan Poe style on rat and politician

The response I got, in about two seconds, was this:

Once upon a midnight dreary,

While I pondered, weak and weary,

Over many a quaint and curious

Volume of forgotten lore,

While I nodded, nearly napping,

Suddenly there came a tapping,

As of someone gently rapping,

Rapping at my chamber door.

“’Tis some visitor,” I muttered,

“Tapping at my chamber door –

Only this and nothing more.”

Ah, distinctly I remember

It was in the bleak December,

And each separate dying ember

Wrought its ghost upon the floor.

Eagerly I wished the morrow;

Vainly I had sought to borrow

From my books, surcease of sorrow

Sorrow for the lost Lenore!

For the rare and radiant maiden

Whom the angels named Lenore –

Nameless here for evermore.

And the silken sad uncertain

Rustle of each purple curtain

Thrilled me – filled me with fantastic

Terrors never felt before;

So that now, to still the beating

Of my heart, I stood repeating

“’Tis some visitor entreating

Entrance at my chamber door –

Some late visitor entreating

Entrance at my chamber door;

This is it and nothing more.”

Presently my soul grew stronger;

Hesitating then no longer,

“Sir,” said I, “or Madam, truly

Your forgiveness I implore;

But the fact is I was napping

And so gently you came rapping,

And so faintly you came tapping,

Tapping at my chamber door,

That I scarce was sure I heard you” –

Here I opened wide the door;

Darkness there and nothing more.

Deep into that darkness peering,

Long I stood there, wondering, fearing,

Doubting, dreaming dreams no mortal

Ever dared to dream before;

But the silence was unbroken,

And the stillness gave no token,

And the only word there spoken

Was the whispered word, “Lenore!”

This I whispered, and an echo

Murmured back the word, “Lenore!”

Merely this, and nothing more.

Back into the chamber turning,

All my soul within me burning,

Soon again I heard a tapping

Something louder than before

“Surely,” said I, “surely that is

Something at my window lattice;

Let me see, then, what thereat is,

And this mystery explore –

Let my heart be still a moment

And this mystery explore;

‘Tis the wind and nothing more!”

Open here I flung the shutter,

When, with many a flirt and flutter

In there stepped a stately Rat of the Capitol

Not the least obeisance made he;

Not a minute stopped or stayed he;

But with mien of lord or lady,

Perched above my chamber door –

Perched upon a bust of Pallas

Just above my chamber door –

Perched, and sat, and nothing more.

Then this ebony bird beguiling

My sad soul into smiling,

By the grave and stern decorum

Of the countenance it wore,

“Though thy crest be shorn and shaven

Thou,” I said, “art sure no craven,

Ghastly, grim and ancient Rat of the Capitol,

Tell me what thy lordly name is on the Night’s Plutonian shore!”

Quoth the Rat: “Nevermore!”

Oh, and if this wasn’t enough,  ChatGPT also offered me a brief, almost apologetic remark that it had created this poem based on Poe’s broad style as in ‘The Raven’ and ‘House of Usher’, and that of course this poem did not in any way reflect or represent Poe’s own work.

Incredible, isn’t it?

But I did something more with ChatGPT, O long-suffering Reader, in the interests of humanity and what remains of my equanimity and sanity.

  I asked myself: what would ChatGPT write if I repeated the SAME request? Would it produce the same poem? Would it repeat itself, plagiarize itself?

And so I logged out of ChatGPT; cleared all cookies and logged in afresh after five minutes (just to give ChatGPT enough time to forget me, I chortled cunningly with all my Jurassic wisdom); logged in again, and once more typed in the following:

Poem in Edgar Allan Poe style on rat and politician

The response I got, in less than a second, was this:

In the dim and dreary streets,

Where the rats scuttle and scurry,

Lives a politician, sly and fleet,

With promises smooth as a cherry.

He speaks of change and progress,

But in his heart there is rot,

For he’s a rat in human dress,

And his words are nothing but a lot.

He’ll steal and lie and cheat,

And grin with a toothy smile,

But all his constituents will eat

The scraps of his dishonest guile.

And when the people cry out in pain,

He’ll simply shift the blame,

For in his eyes, they are all the same,

Just pawns in his twisted game.

So beware, my dear friends,

Of the rat in politician’s clothes,

For his deceit never ends,

And his heart is black as those…

These poems are so totally Edgar Allan Poe-ish that ChatGPT could bring a lawsuit against the estate of Poe for having plagiarized its own style – even though he wrote his stuff 200 years ago – and obtain court verdicts in its favour.

ChatGPT is infinitely more creative and original than any human.

It even makes strong and largely accurate value judgments on creatures like rats and politicians!

But it gets better…or worse.

ChatGPT is only textual. Young friends cheerfully tell me that already, there are AI thingies like ChatGPT available for trial that can compose equally original and remarkable audio and visual works based on your typed-in instructions—however wacky, however outlandish the instructions are.

So, we can all look forward to creating, in less than the time it takes to flick a paint-brush or pluck a guitar string, audio-visual compositions with elements like the following:

  • Blues song in the style of John Lee Hooker with lyrics on Narendra Modi,  Rahul Gandhi, bedbugs and soggy samosas
  • Oil painting in a style fusion of Don Martin, Constable and Botticelli with a sleazy Gurgaon mall as backdrop and featuring Vladimir Putin, Roger Waters, Asaddudin Owaisi, three constipated armadillos, the Ross Sea, and Greta Thunberg with her “How dare you!” look.

Our AI creations have become infinitely more creative than us.

I’m now convinced, O gentle Reader, that after 200,000 years of strenuous efforts at self-annihilation, we humans have finally come close to achieving the evolutionary equivalent of shooting our collective creative arses right off the planet with these latest steps forward in our technological progress. and intellectual retrogress.

Perhaps it’s a damned good thing, too. George Carlin would certainly have agreed.

Still…I can pound away at my worn-out old clay pot, missing anything between 3 beats and 7 beats in every 48 beats in utterly chaotic manner.  Like so:

I bet no AI thingy can do THIS as horribly as I can.

At least, not yet…?

Musings, Remembering

The Lamp of Life…and Death

Today’s Saturday; a day to go before Deepavali dawns.

Death floated lazily over me today morning, as She so often does.

Yea, today I saw Death as She. Tomorrow perhaps Death will be He; or perhaps It; or simply the One.  Death takes infinite forms, Death rules us all, Death alone among all Gods and Prophets and other fantastic creatures with which we populate our skies and imagination is ever close to us, from the day we are born. 

As a dear doctor friend puts it: by far the most common cause of Death is Birth.

No, no, there’s nothing ‘fatalistic’ or morbid at all about discussing Death. In fact, the eve of Deepavali is such an appropriate time to muse on Death; for Death is the End and the Beginning of all things including Time itself.

“Yama, Death, is never to be feared…only respected,” another dear friend had once counselled me, long ago, at a time when she —and we—knew she would die within weeks; a time when I felt the numb desolation and dread that you have felt, all of us have felt, with the realization that one, whom you love dearly, is going to die soon.  “Sure, fear pain if you must; but never fear Death. We’re all afraid of pain, of becoming helpless, dependent on others …but Death ends all pain, ends fear…and so never fear Death. You need not invite Yama…He will come when He has to! You needn’t wait for Yama’s arrival, he is never late. But you must respect Him when He arrives.”  

The dear friend was Jaya; my mother. The conversation took place over 26 years ago…the morning of 2nd August 1996. She’d gone through a few days of mild, recurring headaches, and when she’d experienced a sudden dizzy spell our neighbor and doctor-friend advised her to get a routine scan just to rule out the possibility of a ‘mild stroke’. So, we called the scanning centre and got an appointment for the next morning; and Jaya and I took an auto-rickshaw to the scanning centre – she vociferously criticizing me and dad all the way for needlessly fussing, and wasting half-a-day (she had a book of hers to proofread, another one to write with a tight deadline), and declaring that it was all a complete waste of time and money, and that just to prove she was fitter than any of us, we would walk home the nine kilometers from the scanning centre.

Well… we sat around at the centre and waited our turn, and I remember there was a little kid there waiting like us with his young parents, the kid was teary-eyed with pain but bravely silent—a terrible spinal injury, his anxious parents told us—and Jaya chatted with the little tyke and teased him and even got him to smile (she had a magical way with children); and then our turn came and I stood next to her while they did the scan, lead-lined coat and all, and even then I knew something was seriously wrong because I had to hold Jaya steady on the trolley, her left arm and leg kept sliding off though she was quite conscious; and then the doctors came out of their little console room and asked permission to do a contrast scan or MRI or something. “Sure…but why?” I asked. “We’re seeing something we’re a little concerned about, we want a better look at it,” they replied. So they injected her with a radio-dye and did the scan again while I stood beside Jaya, and then they took me into their little room and showed me what their screen was showing them, and I forget their exact words but the image on the screen and some of their words phrases are burned into the mind. Mass lesions. Temporo-parietal region. Aggressive glioma. In essence, she was in the terminal stages of a brain cancer.

And after we returned home—of course we didn’t walk—and told dad, and we called brother Bala who was in Bangalore, the enormity of the situation hit like a tidal wave, and Jaya was calmest among us, and she took my hand and led me up to the little corner which was her puja room and she lit the lamp and we had this little chat about respecting Death, and she made me vow that I would not let any surgeon’s knife come near her.  She wanted no surgery, no medical interventions. She just wanted to be at home with us. She made me vow by the lamp of the little puja-room upstairs, the lamp that I’d always lit for her from when I was a kid whenever she couldn’t light it herself because she was away, or during the time she’d suffered burns from batik and taken months to recover.

And so I vowed.  

Jaya stayed with us at home for two weeks, growing weaker by the day yet almost gently, in little pain other than the on-off mild headaches…she kind of faded away till the night of August 17th when she slipped into coma and we moved her to a hospital where a wonderful doctor took her under his wing, a doctor who knew precisely what to do—and perhaps as important, what not to do. She stayed there for ten days, till Death came for her on the 27th August.

Sorry, gentle Reader, I didn’t expect to meander down this path of personal memory when I started this; but I think that’s the nature of the strange, misty trails that Death sometimes allows us to walk awhile, alongside with those whom She has come for. You too must have walked these trails…they transcend time and space. I mean, here’s something that happened 26 years ago; yet it’s as clear as it happened a moment ago, while I can’t remember anything about yesterday or even much of what’s happened today since I saw Death a few hours ago, while lying on my yoga mat out on the terrace.

Today morning Death took the shape of a bird; a kite, to be precise.  Even before I opened my eyes I knew Death was approaching; for the quiet of early morning was shattered by a sudden frenzy of chirping and cheeping and chattering, and hundreds of pigeons and mynahs and bulbuls and doves and sparrows took flight and squirrels and chameleons and garden lizards scampered and scuttled in a mad scramble for cover among the leafy boughs of the park trees or behind walls and flower-pots or beneath bushes and roofs and piles of leaves.  The kite floated lazily in an ever-widening circle, high overhead, ever higher, till She disappeared from view beyond the edge of the awning.  

The silence endured awhile…but presently, the Wild-Creatures’ all-clear signal was given and the birds and squirrels and lizards and the rest of them returned to their normal morning activities. For a little while, it seemed, there was a new watchfulness in them, perhaps because they’d been reminded of Death, inexorable, inevitable; up there, down here, among us, unseen, watching and waiting, waiting to pick us up at the appointed time. But very soon they were all cheerful and boisterous as before, any fleeting fear evaporated, forgotten.

Perhaps this is as it should be with Death.

Yudhisthira of Great Vyasa’s eternal Play, the ever-questioning Seeker, that impulsive, often unthinking, ever-self-doubting human whom each one of us resembles to some degree,  got it right in his interrogation by Death:

Yama: And what is the greatest wonder of the world?

Yudhisthira: Every day, every moment, we see living creatures depart through the Gateway of Yama…yet we live as though we are immortal.  

We live as though we are immortal. We must. It is right that we live Life without fearing or obsessing about or dreading Death. What is Life but a fleeting spark in the timeless, dimension-less Realm of Serenity whence comes all that is and was and shall ever be, to flicker and dance awhile in this dream we call Reality and thence return? The Realm that is the Supreme Singularity, the One, the Maha Black Hole whose Event Horizon is the Gateway we call Death?

Omar beheld it so clearly, expressed it so joyfully:

What, without asking, hither hurried whence?

And without asking, thither hurried hence!

Another, another Cup to drown

The Memory of this impertinence!

Death is a mercy, a gift, a blessing, the Lamp-Bearer on the Path Home. Death is a wonderful reason for us to live Life to the fullest; lives that don’t cause others or our own selves hurt or pain or sorrow or despair; lives of joy and laughter and light-heartedness and contentment and exploration and discovery and reflection, of compassion and love and fulfilment.

Happy Deepavali.

Beastly encounters, General ravings

Sustainable Municipal Monkey-Catching

[Written during a spell of occasional fever with headache…diagnosed as possibly Monkey Flu complicated by Acute Media-otic Hysteria]

Delhi is globally renowned for its brazen and aggressive motorists.  Delhi is also globally renowned for its brazen and aggressive monkeys.  Many visitors to the Capital see no distinction whatsoever between these two invasive species, whose populations are increasing in our beloved Capital by leaps and bounds (so to squeak).

And thereby hangs a tail.

Be that as it may, a recent newspaper report celebrates the fact that the Municipal Corporation of Delhi (MCD) has been catching an ever-increasing number of monkeys and rehabilitating them in the once-lovely wilderness of the Asola Sanctuary, located in the last remnants of the Aravalis between the goonda-and-politician–infested badlands of Delhi and Gurugram.  

We managed to obtain some interesting and highly improbable insights into how the MCD has achieved success in its monkey business, thanks to a brief but illuminating interview with Shri Bandarlal Poonchwallah, Senior Advisor to Commissioner, MC&RD (Monkey Capture & Rehabilitation Department), MCD.

Q:  Could you tell us a little more about the MCD’s Monkey Catching initiative?

Poonchwallah: As the name indicates, a Monkey Catcher catches monkeys. We currently have six Monkey Catchers on the MC&RD rolls. Besides a monthly retainer, our Monkey Catchers are each paid a small incentive on piece-rate basis— or more accurately, on monkey-rate basis.  The incentive ranges from Rs 1200 per monkey caught in East, North or West Delhi, to Rs 2400 for monkeys caught in South Delhi …

Q: But why do you pay Rs 2400 for South Delhi monkeys? That’s almost double the amount of incentive paid for monkeys from other parts of Delhi?

Poonchwallah: Arre bhai, you must understand that South Delhi monkeys are very much like South Delhi humans—they are much higher up in the socio-economic ladder than their cousins from other parts of Delhi. Also, like their human South Delhi colleagues, South Delhi monkeys are better-nourished, better educated, more cunning, and more well-connected with powerful members of local human communities including senior officials of Delhi Government and Union Government. So, they are much more difficult to locate and trap. For all these reasons they must be assigned a much higher monkey-rate value.

Q: Surely you can’t be serious?

Poonchwallah: (patiently) The MC&RD has well-documented evidence to support this thesis. Our Monkey Catchers often report that South Delhi monkeys look healthier and are better groomed than other monkeys; in fact, Lutyens Delhi monkeys often chatter among themselves with distinct British or American accents. Most of them scorn traditional Indian food! So, we have to procure costly international food items like thin-crust pizzas, sushi, and whatnot to entice these high-class South Delhi monkeys…whereas simple desi snacks like peanuts or samosas will do to trap, say, East Delhi monkeys. Here, I will show you… (Scrabbles among papers on desk)

Q: But…but…

Poonchwallah: (impatiently)… Wait, just yesterday I had a report from our senior-most Monkey Catcher on a young monkey he caught in South Delhi’s Nizamuddin area…ah, here it is. (Reads from note)  It seems that he—meaning this South Delhi monkey, not the Monkey Catcher who caught him—eats only organic food cooked in virgin cold-pressed olive oil, is fond of wearing Paco Rabanne perfume, and has become quite notorious for selecting and stealing only Ray Ban glasses and 5G cellphones from strollers in the nearby Sundar Nursery …

 Q: What! But…this is incredible!  

Poonchwallah: Yes! It is! I am glad you see it! (Bitterly) But no-one else seems to understand the value of the empirical knowledge and experience acquired by us in the course of our Monkey-Catching initiative. Despite MC&RD’s numerous proposals to the Delhi government and Union governments and to academic institutions like Delhi University, JNU and others,  nobody seems to be interested in funding this wonderful opportunity for conducting socio-anthropological research into how Delhi’s monkey populations are adapting in diverse ways to the rapidly changing metropolitan environment, the socio-cultural mores and fashion trends…(breaks off, sinks into moody silence)

Q: (shaken to core) Well, sir…to return to the topic …how much does this Monkey-Catching initiative cost us taxpayers?

 Poonchwallah: (reading from file) Let’s see…between April and July last year, that is 2021, MCD caught and rehabilitated 350 monkeys. So, at an average incentive of, say, Rs 1800 per monkey, we paid our Monkey Catchers about Rs 6.3 lakhs as incentive during these four months. (looks up proudly) But during the same four-month period this year, 2022, we have caught and rehabilitated over 600 monkeys…for which we have paid our Monkey Catchers Rs 10.8 lakhs in incentives.

Q: That’s impressive! And after you catch and rehabilitate the monkeys in the Asola Sanctuary,  how do you make sure the monkeys stay there?  Monkeys are great travellers…so how do you make sure they don’t return to the City? Do you monitor them in their new home? Do you periodically count their numbers in Asola? 

Poonchwallah: (with explosive snort):  Kya bakte ho!  Do you seriously think MCD employees can go and sit in the Asola Sanctuary and count monkeys? (Continues in calmer tone) Don’t misunderstand me—I agree that this Monitoring & Evaluation task in Asola is important. And I may add that 99% of all MCD staff, including myself, would jump at the chance of a permanent posting in Asola. But this wretched Aam Aadmi Party government in Delhi simply will not give MCD the required funds for this vital component of our Monkey-Catching initiative, despite repeated demands.   Arre, these @$*@]%$&! AAP-wallahs haven’t even given us the funds to pay our municipal sweepers their wages since September 2021… (relapses into sullen muttering)

Q: But…but this means there’s a strong likelihood that the monkeys being caught now by MCD were in fact caught earlier too? That the monkeys are travelling back from Asola to Delhi just as fast as the MCD is relocating them from Delhi to Asola?!  Isn’t it possible that the MCD is catching the same monkeys over and over again, counting them multiple times, and paying Monkey Catchers for this circular exercise?

Poonchwallah: (slight hunted look) Baah! Tchah! Tut! Only a complete nutcase would want to return to this wretched City after being given a chance to leave it! No, no, I think we can and must trust the monkeys to be sensible enough to stay where they have been rehabilitated, at the beautiful Asola Sanctuary.

Q: But…but…

Poonchwallah: (unfazed, continues to rave) …If at all some monkeys are detected coming back from Asola to Delhi, that must be because of ecological destruction in the Asola Sanctuary that is being actively encouraged by these same ##$**^&!saala %$ AAP-wallahs…  

 Q: But…but…

Poonchwallah: ((warms to the theme) In fact, that explains why, as reported by our Monkey Catchers, most of the monkeys we are trapping nowadays look thin and famished! You see? Not only are these unfortunate monkeys not able to forage for food in Asola because of deforestation and environmental degradation, but they are forced to trek back over 25 kilometers all the way to Delhi! It is a shame. It is a violation of their human rights!

Q: But…but…

Poonchwallah: [clearly gone completely ape] We shall demand that Delhi’s AAP government provide MCD with a fleet of 10 AC buses so that we can transport the monkeys safely to and from Asola. Electric buses – so that we minimize greenhouse gas emissions.  Meanwhile, my MC&RD team will leave no stone unturned in trapping and rehabilitating these poor monkeys on ongoing basis. In our budget estimates for the next financial year, that is 2023–24, we project to catch around 16,800 monkeys, in anticipation of which we propose to hire 10 additional Monkey Catchers and set aside a corpus of 3.5 crores as incentives for our Monkey Catchers…

[interview abruptly terminated at this point, when  alpha-male monkey wearing Chaprasi uniform leaped in through open window, snatched away Shri Poonchwallah’s mobile phone, saluted us with a grin and strolled out through office door to seat himself on stool outside.]

Musings, Remembering

Nation Notions

I was with a friend in her car. In the back were three more friends, all women, one of them Indian, the other two German:  a mother–daughter duo.  

It was the evening of January 25th, 2020, cloudy and chill at dusk. We were caught in a traffic jam—the only saving grace being that we were on the lovely Amrita Shergill Marg, bordering the Lodhi Garden in central Delhi, and so there was plenty of foliage (albeit blurry) to look at and discernible quantities of that rare element, oxygen, in the diesel-and- petrol -scented air. 

After about 30 minutes of crawl-and-halt, we drew alongside a small group of policemen, who were trying with limited success to keep motorists to their lanes.

“Jai Hind,” I greeted them, as I always greet personnel of our armed forces and police.

 “Jai Hind,” they responded.

“What’s going on?” I went on in my semi-tapori Hindi, “Why this jam?”

“The result of a little VIP transit, sir…it’ll all be cleared in a few minutes.”

I thanked him, and we sat in silence for a moment. And then my young German friend spoke up softly, clearly, in English: “Why did you say that to him?”

Puzzled, I looked around at her. Her Indian friend giggled but didn’t say anything. “Say what?” I asked.

“You said ‘Jai Hind’ to that policeman…why?” she murmured, now slightly embarrassed. Her mother, who spoke very little English, looked on in bemusement. Her Indian friend giggled again, in a slightly self-conscious way.

The question was simple, perfectly straightforward;   but in a flash I realized what it was she was really asking and why she was asking; and what the young Indian’s slightly nervous giggle might mean too. It was January, 2020—that was the time when the Shaheen Bagh street blockade was at its peak; when young women and men not just in India but across the world were charged up with the heady passions and revolutionary slogans of the quaintly-oxymoronic  ideology known as Left Liberalism; when any word, any sign, of showing solidarity with or pride in or support to even the idea of India was not only old-fashioned but had somehow become equated to becoming a ‘Modi-bhakt’, a ‘nationalist’, a ‘fascist’, an anti-Muslim fanatical Hindu. In India, and across the world.

It was a time when even uttering ‘Jai Hind’ more or less branded me as a narrow-minded bigot unless otherwise proven…or clarified. 

The two young women were – are- very dear to me; the question was honest, direct and clear; and so I thought awhile before I replied.  “’Jai Hind’means ‘Hail India’, or ‘Victory to India’ if you like,” I said. “I greeted that policeman with ‘Jai Hind’ because I am proud of my country, I love my country, and tomorrow is our Republic Day—the day when, in 1950, a couple of years after winning independence from British rule, India adopted its own Constitution and became a full-fledged Republic.  So then,  for the first time we Indians had drawn up and given ourselves our own rights, our own guiding principles to live by, the systems by which we would govern ourselves and so on…all the things that we had fought for and won,  and that we must hold on to and defend.  And so January 26th is a good day to remember.  A good time to say ‘Jai Hind’, and of course that’s why ‘Jai Hind’ is a good way to greet military personnel, police…”

I trailed off, wondering whether I’d made any sense at all. She’d listened attentively as I spoke; silent, clear-eyed, nodding slightly. 

“Ah yes, of course, now I see,” she murmured. In the meanwhile her mother, who had been listening as intently to our exchange, asked her daughter to explain in German, which she promptly did.

And then, both of them smiled and chanted: “Jai Hind!”

And we all chorused Jai Hind, and soon the jam cleared, and merriment returned and dissolved the tedium.

A trivial episode, no doubt; but for me it was important…and lingers in memory.  

I will always be grateful to my German friend for her question.

It helped me think a little, reflect a little, learn and re-learn and un-learn much more than a little.  About India, about what this insanely chaotic, wonderful nation means and what it is founded on, and what holds it together…and what can and does tear it apart.

Jai Hind.

Remembering

From Eternity to Eternity

I’ve never been embarrassed about wearing my sentiment on my sleeve – if only on occasion. And 26th July, 2001 was one occasion, the 2nd anniversary of Vijay Diwas – the Martyr’s Day in remembrance of the uniformed ones who gave their lives during the Kargil war, 1999…a war during which a few dear friends in Army and Air Force had played active roles. Today being 26th July, here it is: for all fauji friends, for all men and women of the fauj, past and present and future. With respect, with love.

On the night of 26th July last year we lit two little lamps out on the balcony and gazed at the lambent flames while, and on the still air we heard the whispers of names…Clifford Nongrum, Haneefuddin, Saravanan, Kalia, Ahuja…names of men we had never met yet seemed to have known so well.

Surely, they would have been no different from any other young men in the world?  In their love for laughter and revelry, for the scents of rain upon earth and flowers in a woman’s hair, for home-cooked food, the warmth of a family gathering, a boisterous game with children…they too must have yearned for leisure, for romancing, for peace. One of them had played the guitar, another had a voice like Rafi’s. Rich and varied were their tastes in music, as indeed their backgrounds and origins. Yet fierce were the bonds that had joined these men of diverse faiths, united them in their battle to preserve this very diversity, this richness and variety.

A strange, overwhelming sense of loss came upon us even as the flames rose steady and unwavering. We glanced up at the high-rise apartment blocks all around, at their dark balconies and terraces. A stray breeze brought a brief snatch of canned laughter from some TV set in some curtained lounge. And bitterness and anger welled up, sudden and surprising. How could they all be so callous, the inner voice raged, how could they forget the martyrs of Kargil so soon.

But the self-righteous and sentimental mind’s voice was abruptly quelled by a remembered voice from childhood: easy, self-assured, slightly mocking in tone, the voice of a young soldier, slain in battle long ago.

“Listen,” he had murmured, “in life, what others think or do doesn’t matter a damn. What YOU do is the only thing that counts. Before you, before each one of us, there’s a path; the path of duty. Seek that path, follow it, all else falls into place. It is so simple…”

The voice faded back into the caverns of memory; the flames flickered. And suddenly the twisted, tangled coils of sentiment and anger dissolved into a moment of deep understanding. Indeed the martyrs of Kargil had fought obdurate foes, in the harshest of conditions. They had endured terrible pain, died warriors’ deaths. But they were men who believed – nay, who knew – that beyond death there is no joy or sorrow, neither friendship nor enmity; there are no borders or lines of control, nor remembrance nor names.

There is only the peace of Eternity.

That is why our soldiers treated even the enemy’s slain with dignity, with honour. And that is why they were victorious.

We turned away, then. Fleetingly, sadness returned as we beheld the dark balconies all around. A flicker of yellow drew our attention to the right…and we gazed spellbound.

Down there, beyond the compound wall, set in the humble doorway of a tarpaulin-roofed dwelling, two candles had been lit. Their flames rose steady and unwavering. And again on the still air came the whisper of names…Vikram Batra, Neikezhakuo Kengurüse, Kanad Bhattacharya, Vijayant Thapar, Mohammad Hussain…

[‘Slain victors’: The Pioneer: 31 July 2001]