General ravings, Musings, Remembering

WTF should I WFE when I can WFH?

A ramble in 23 disconnected parts

One of the major impacts of the Coronavirus Era is that a whole lot of people are now working from home (WFH). 

I realize, with considerable delight, that WFH is what I’ve been doing since 1993.

That was when, after just about 13 years as a lowly and descending-ever-lower State Bank officer, I awoke one day to the realization that, judging by my precipitous career graph and the learned and corrosive opinions of several influential senior management functionaries, I was both unlikely and unfit to become even the part-time trainee-assistant to a certain peon who had been placed under suspension at the bank’s Thalayolaparambu branch for interesting-sounding offences such as  ‘moral turpitude’ (I was informed by usually unreliable sources that the peon later rose to be the chief vigilance manager of the bank).

It was an epiphany of sorts. I suddenly became aware that all that I’d ever wanted to do since the age of six was to work as  engine-driver or coal-shoveller in the Indian Railways—preferably on the wonderful WP/M Class 4-6-2 Canadian steam engines that hauled express and mail trains.

Or, as Plan B, I wanted to be a writer. 

And so, to resounding cries of joy from the senior bank management functionaries and other colleagues, I quit my memorably erratic and obscure career in the world of banking and finance in September 1992 to begin a new and even more erratic and obscure career as a writer—my dreams to join Indian Railways having, alas, been derailed because I had no engineering or coal-shovelling qualifications, and in any case by the early 1990s almost all the coal-fired steam engines had been phased out.

And so, O Patient and Worthy Reader, here I’ve been ever since then—WFH, scribbling and clacking away with pen and keyboard respectively, often disrespectfully, and sometimes retrospectively on almost every subject under the sun and a fair number of objects well beyond the sun too.

The Coronavirus Era is indeed terrible. Yet,  I’m happy that millions of others can at last discover the joys and benefits of WFH, even in these viroid paranoid times when people can’t sit together in persona to waste pleasant and unproductive hours in meetings, workshops, seminars and conferences, but are forced instead to sit in separatum (or alag alag, beleg beleg or taniya taniya) in their own respective abodes and waste even more pleasant and unproductive hours Zooming and MS Teaming and Webexing their angst at not being able to sit together  in persona to waste time. 

I just love WFH. I believe WFH is infinitely better than WFE (working from elsewhere).  

Join me in a few whoops of ‘WTF should I WFE when I can WFH’!   

Of course, I realize that WFH has been quite different for me than it is for most other people today, in two fundamental ways:

1.  I chose to WFH; a virus didn’t make that choice for me.  

2.  I’m doing something totally different while WFH (writing) from what I was doing before WFH (being a banker); whereas a lot of people WFH today are doing the same things that they were doing before WFH.

So, I’m fully aware there’s no comparing my WFH with your WFH. Still, I dare say there are a few wonderful joys of WFH that all we WFH-ers share.  Like:

  • Avoiding the drudgery and tedium of spending hours driving or otherwise commuting scores of kilometres to and from work—in uncomfortably close proximity with thousands of co-commuters of assorted aggressiveness, aromas, and angularities.
  • Doing the same amount of work – or often, much more work – from the comfort of home, where you can take breaks for tea and coffee  and snacks and a stroll and a quick goof-off or even nap as often and for as long as you like.
  • Learning new or long-forgotten skills – like listening to bird-calls, sharing comfortable silence with a friend, chuckling to oneself, reading, reflecting, simply being. 
  • Breathing deeply – even if only through a mask – for scientists claim to have found increasing traces in the air of the rare element oxygen (alas, that blissful state has long since been obscured in Delhi by vehicular and political smog). 

WFH gives me the chance to work flexible hours. I can better manage my time, and so create time in which to do more of what I like to do, as well as explore doing all kinds of new things I always wanted to do but couldn’t or didn’t because of lame reasons like “Got to get up early” or “I’m too tired” or “Where’s the time for that?”

And it’s funny, but even though I’ve been WFH for over two decades, I’ve got more work done since March 2020—during the Coronavirus Era— than I have during the same period in earlier years. 

By ‘work’ here, I mean writing stuff about clean, energy efficient technologies, which I do for a research institute that has – much to my pleasant surprise – retained me as a consultant for over 25 years.

Could my improved productivity be some weird synergistic effect of WFH and Covid-19?  

Many a night these past six months have I tossed and turned sleeplessly while exploring this idea; twice have I fallen right off the bed and into deep sleep. But still I have no answer.

Enough to say that besides posting a dozen blogs since March, I’ve also started to write about seventeen much longer pieces about far more serious things as well. Things like:

  • The rapid spread of Left Liberal ideologies among red ant colonies in the National Capital Region
  • Violent conflicts over power stealing and parking rights among members of Resident Welfare Associations and Cooperative Housing Societies in Delhi, and their striking parallels with violent conflicts among members of Lok Sabha, state assemblies, and media houses over power broking and barking rights
  • An interim report on my ongoing psycho-sociocultural study (tentative title: ‘Growing Influence of News-Reader Squirrels on Main-Scream Indian Media: is Democracy Safe?’ ), which focuses on the behavioural characteristics of squirrels that perch at great heights on trees and buildings and chirrup the day’s news loudly and aggressively with threatening tosses of their heads and tails—mannerisms that have been adopted with great success by leading TV news channel hosts such as Navika Kumar of Times Now and Arnab Goswami of Republic TV.
  • The urgent need for government to seize the opportunity provided by social distancing norms in offices and public places and public transport systems, and implement a National Awareness Mission for EBOLA-PS (Eradicating Body Odour and Like Aromas in Public Spaces)

I’ve also read more books these past eight months than I read during the five year period 2014–2019. These come to mind:

  • The Greatest Show on Earth—the evidence for evolution [Richard Dawkins]
  • Amusing ourselves to death—Public Discourse in the Age of Show Business [Neil Postman]
  • Bridge of Clay [Markus Zusak]
  • Biology of belief [Bruce Lipton]
  • Permanent record [Edward Snowden]
  • Last chance to see [Douglas Adams & Mark Carwardine]

Oh, I’ve also been reading—rather, re-reading with renewed enjoymenta few books that I’d first read in the 1970s and 1980s: like Opus [Isaac Asimov], A History of England [G M Trevelyan], Tribal folktales of Assam [S N Barkataki],  and The Deadly Element [Lennard Bickel].  Oh, and a P G Wodehouse anthology or two, too, in between.

And then, I’ve taken some guitar lessons. From Fender, the US guitar makers, who in April 2020 offered three months’ online lessons for free to people across the world, just to cheer us up during the pandemic!  So I registered at once, and hauled out and dusted off the old guitar, and logged in about 37 lessons.  I’m not sure how much I’ve learned, but I’ve certainly unlearned a whole lot of wrong ways of playing guitar that I’d taught myself 50 years or more ago. And then, while I was still practicing to transit smoothly from G to C, suddenly it was October, and I realized that my three months’ free lessons had long expired and I’d been taking lessons for nearly three months without paying one paisa or cent to Fender.  So I checked with Fender, and learned that they’d quietly and generously extended my free online lessons by four months.

 Just like that. 

That little thing that Fender did meant so much to me.  The memory still brings a warm glow. As do the  countless such little acts of generosity, insaaniyat, kindness and selflessness that millions and millions of people have done and are doing for others, for complete strangers around them and across the world, without fuss and without making a big noise about it and without expecting anything at all in return, least of all publicity.   It restores hope and courage, strengthens faith: that even amidst the roiling clouds of violence and war and hatred and selfishness and cold cynicism that seem to be engulfing the world and filling the minds and hearts of young ones with hopelessness and apathy and numb terror, the essential ‘goodness’ of people will surely endure, shine forth, evaporate the clouds as the warm light of dawn disperses night.  

More on that anon…

In conclusion, O patient Reader, here’s something else that I’ve tried during WFH in the Corona Era: writing a diary.

In junior school, in class 3 or 4, an enthusiastic teacher gifted each of us a diary and asked us to write down something in it daily – thoughts, poems, a paragraph, a line – and read aloud from it after a week or two. Each day’s effort was to be addressed to ‘Dear Diary’. Alas, driven insane by our inane and incoherent ramblings, our teacher soon abandoned the entire project and my diary became a rough book duly filled with doodles and scribbles. But Demented Desire for Dear Diary has blazed on in the heart for over five decades, like a young love remembered.

And so I found a battered old notebook and wrote ‘Diary’ on the cover, and scribbled my first diary post. Here it is, typed verbatim from the original scrawl:

Dear Dairy,

How are you? I am fine.

It’s now just after 23.00. I’ll keep it simple and try to summarize what I did today.

  • Woke at 05:45.  Popped in daily thyroxine goli, dozed off again.
  • Re-woke at 06:20 with rush of energy from thyroxine and smarting elbow from mosquito bite.
  • 06:25–06:50.  Brush-wash routine; brewed pot of tea with ginger shavings, quaffed large mug-full.
  • 07:00–08:00.  Yoga on terrace.
  • 08:00–08:30. Pottered around terrace and balcony, getting some ultraviolet; watered plants on balcony, gave sunbirds a shower, chittered mild colloquial Malayalee insults at squirrel which chittered chaste Gilayree insults back at me in a distinct Haryanvee accent.  
  • 08:30–09:15. Ate a few walnuts and a couple of raisins. Brewed coffee, drank a cup. Shaved. Showered.
  • 09:15–09:40. Made and ate breakfast—a toasted cheese-chilli sandwich, carbonized to nano-scale at the edges, with a fried tomato. Quaffed shot of coffee.  Cooked up lunch (tomato peppery rasam; chaalu sabzi from one small leftover brinjal, one carrot, one potato, segment of lauki; confirmed plenty of rice leftover).   Washed dishes.
  • 09:50–10:15. Settled down at desktop. Read headlines on People’s Daily, The Quint, Indian Express, Times of India. Posted comment on The Quint, knowing full well it might disappear without trace (it did). 
  • 10.15–13:15. Worked at desktop.  In between, took tea and biscuit break, and goofed off to:
  • read blog-post by colleague-writer
  • play one game of chess with computer-jee, which I won in 18 minutes, hitting ‘undo’ only once after making colossal blunder on move 14 (record now: 51% wins and 10% draws at Level 7…haw, preen preen). 

13:15–13:30. Stared at emails, phone messages, small wolf-spider on wall. Processed, replied to and archived/deleted all but the spider, which scuttled off in hot pursuit of energetic ant. (When reports last came in, ant was leading by several spider-stride lengths).

13.40–14.20. Lunch. Aimless one-kilometre stroll around terrace and balcony.

14.25–1715. Back to work at desktop and later at writing desk. 

17.15–18.00. Coffee. Guitar lessons, a bit of practice.

18.00–1840. Walked 4.8 km. The circuit, repeated nine times:  downstairs bedroom – drawing room – kitchen – back to drawing room – up the stairs – { [terrace –  upstairs bedroom – balcony] × 3 } –  down the stairs – drawing room – kitchen – back to drawing room – bedroom.

18.50–19.15. Relaxed on terrace; watched sunset with assorted fauna.  Ate apple.

19.30–20.45. Drummed on clay pots, doumbek, chairs and tables; played kartaals.  Listened to music.  Long chat with brother Bala. Roasted up some murmura with hing-kari patta- peanuts;  ate a kinnam-full.  Sipped mug of chai. Fixed dinner : four geographic chapattis (two shaped like Australia), masur dal.

20.45–21.15. Watched TV: Wion, CNN, Rajya Sabha, Republic TV.  Yelled encouragement at Arnab Goswami as he launched a spirited argument with himself and lost it.

21:15–21:40. Showered. Dined. Washed, dried and put away dishes.

21.45–23.00. Read about 12 pages of book. “Amusing ourselves to death”.  Now scribbling this.

23:00 – Now a little sleepy. Tomorrow I plan to wake early and fnm with rjo3pvm ssokwmd bfs

[Incomprehensible hereafter]  

This diary post is dated Saturday April 11th 2020.

It is my first diary post since 1965.  Alas, it’s also the last.

WFH is wonderful, but in some ways WFH is no different from WFE— a never-ending battle against procrastination.

Jai Hind, Happy WFH-ing, Happy Deepavali.

General ravings, Musings, Remembering

Drumming away the Blues

Right from childhood days in Shillong I’ve loved music. Around 1967/68, when I was around 11 and also a round 11 (I was fat and short), I taught myself how to play the drums.  A battered old leather suitcase made a nice snare drum; a brass table top with a couple of nails on it made for an excellent cymbal;  and for sticks I ‘borrowed’  a couple of Mom’s knitting needles (sizes 7 to 9 worked best, as they allowed a good rebound for rolls).   My musical heroes in those early days were Brian Bennett (The Shadows), Mel Taylor (The Ventures),  Ringo Starr (The Beatles), and Ginger Baker (Cream).   In 1969 I bought a pair of teak drumsticks for the princely sum of Rs 1.50.  I still have them; every scar on them brings fond and noisy memories. They worked well on my suitcase too, though I kept borrowing Mom’s knitting needles…

But the story of my musical eccentricities must wait for another time.  Why I mention music now is, music has always been my refuge, it’s brought me solace and comfort and delight. And playing the drums elevates my spirits even in the darkest of moments.

Which is why, last week, after a gap of over five years, I picked up my drumsticks and went to a jam room in South Extension where there’s a nice drum set, and I practiced playing the drums for an hour.

There were no listeners to tell me how hideous it sounded, because I was all alone and the jam room was (mercifully) sound-proofed.  I was rusty, stiff in bone and muscle and brain, I panted and gasped at the exertion, I missed a beat every nine beats on average.

But I loved it!

I emerged from the jam-room, exhausted but healed of angst, the words of Omar Khayyam  blending weirdly yet sublimely with the words of Adi Sankaracharya in my haze-filled mind:

Alike for those who for TODAY prepare,

And those that after a TOMORROW stare,

A Muezzin from the Tower of Darkness cries

Fools! Your Reward is neither Here nor There!

Bhaja Govindam, Bhaja Govindam

Govindam Bhaja, Moodamathe!

I managed to record part of my solo cacophony, and place three short sections below – missed beats and all – for your torment, ferment and comment, O patient and long-suffering reader!

 

Don’t worry, I promise you I won’t post any more of my solo practice sessions.

Oh…and tomorrow I’m going again to the jam room.  Do join in…it’ll be great!

 

 

 

 

 

 

 

Musings, Remembering

Chords of memory

It’s amazing, how quickly one’s equanimity vanishes beneath the stresses and strains of living in our beloved Rajdhani.

In the present instance, by ‘equanimity’ I mean the peace of mind that I found at the India Music Summit in Jaipur (4 – 6 October). Time flew while I was there.  Now , barely a fortnight later, all that peace of mind too has flown out the window; my Delhi window that is,  beyond which the afternoon sun is hidden by a haze made up of equal proportions of PM10 particles, toxic fumes from factories and vehicles, and toxic abuse from a million marauding muttering motorists.

Where has all the music gone?

You know how it is sometimes with a wonderful childhood experience?  You remember you had a good time; but that’s all you can recall. It’s as though all the little details— the when and where and how, the who did what with whom and to whom and why, the people and places and happenings and all the other elements— have vanished from memory; they’ve been chopped up fine and atomized in Time’s great grinder and swirled in the waters of forgetfulness, and then slow-cooked with the spices of experiences and the tadka of love and joy and sorrow (stirring frequently all the while), till everything has become like one cerebral kootu.

And so, when you try and remember your childhood experience, you can only discern the kootu; a tasty but uniform, featureless stew.

Yet it takes just a random spark— perhaps a certain aroma, perhaps the way the morning sunlight gleams on a leaf, a certain voice or giggle or chord, or a stranger’s face that reminds you of someone you knew …and at once the years and decades fall away like dream’s architecture dissolves with awakening, and for a brief thrilling moment the wonderful childhood experience of ten years or fifty years ago returns in all its intensity and washes over you and renews you;  and just as you become aware of returning memory it vanishes …leaving you smiling, longing for more.

Sometimes, of course, you can seek out the spark yourself. And with music it’s really easy, music as a spark always works for me.

That’s what I did just now;  I turned to YouTube and sought Aruna Sairam. I found a wonderful performance by her with sarod player Soumik Datta, including  songs she’d sung at Jaipur! Here are two—the 500 MWe Durga stotram Aigiri Nandini, and the Kalinga Nartana joyously and passionately recreating young Krishna’s sport with the great serpent Kalinga.

And in less time than it takes the law-abiding but stressed-out Delhi motorist to yell “Abbe saale, wrong side pe kyon chalaa rahe ho!”, all my stresses and strains have evaporated. 🙂

I can’t wait to attend the 2020 Summit.   To temper my impatience, I just listened to, and share here, the ethereal voices of the Shillong Chamber Choir singing Vande Mataram:  as they did in Jaipur; singing here on another occasion, when Chandrayaan II silently circled the Moon and the Lander Vikram was lost; evoking what their songs always evoke in my mind, the embracing and celebration of Life with all its ups and downs, the joy and awe and grandeur of Eternity.

General ravings, Musings

Saccha Swar—Gateway to Perfection

If you love listening to music – and I believe everyone loves music, it matters not what kind of music it is — you’d  know that there’s this very special and powerful thing that exists in some music, a thing that lights up in your mind and heart when you are listening to the music; a thing that is like pure ecstasy. It awakens you, inspires you, excites and moves you to the point where you feel a sense of supreme joy, pure intense awareness, the wild, mad, uninhibited passion of junoon, utter liberation from all the stuff and nonsense of daily life…when you transcend time and lose the sense of Self,  yet, strangely and paradoxically, you feel more close than you have ever been to the entire universe. 

It’s this mysterious, timeless, supremely powerful thing that makes great music; it’s the ability to find this thing and convey it that makes great musicians great.  To experience this thing is like awakening into a Realm of infinite possibilities, of power and bliss, of union with the One in All and the All in One.  For great musicians, every performance is an exploration, a quest for the gateway to this Realm. Hindustani classical musicians sometimes speak about looking for ‘Saccha Swar’; the ‘Note of Perfection’… maybe that’s a nice description of the gateway.

And how does one find and follow the path that leads to the gateway of Saccha Swar

Perhaps only the great musicians know; perhaps even they can describe the path and their quest only through their music, not by mere words. This much is clear, though:  the path itself has to be laid down  individually, with the paving stones of endless learning and practice, riyaaz  and  saadhana;  the path  must be walked alone, it must be smoothed through deep discipline and dedication, illuminated by humility and openness and selflessness…

At this point, O long-suffering reader, I abandon my pitiful efforts at describing what I cannot describe.  Instead, I quote wonderful musician Aruna Sairam from an interview I came across recently:

“…Ultimately, when you speak of a raga, it is an emotion. And therefore the musician that engages with this raga is making himself or herself very open, emotionally—and very vulnerable to everybody else who is in that space. This means that you have to trust, and you have to love, yourself and everyone else.  And in that trust you put out your music, and the moment you express it, without inhibitions, the audience gets it, everybody around you gets it, and they in turn return that love manifold back to you…”

[click here for full interview]

Aruna Sairam is going to perform at the Music Summit, Jaipur. We’re going to join her, and many great Path-finders like her, in their explorations towards Saccha Swar; through them and with them, we too shall glimpse and experience the Realm of Perfection.    

Musings

Stellar Choir

I love music, but I’m no good at writing about music (or about anything else for that matter :D). Sure, I can play the drums, even fool around a little with a guitar; but I’ve never learned anything about music formally, instead simply picked up things by the heart and ear—and fingers and wrist and all.  

I tax thy patience with the above throat-clearing statements, O patient Reader, because I’ve sat down to write a few lines on how thrilled I am to know that the Shillong Chamber Choir is going to perform at the India Music Summit, Jaipur early October.  

But I can’t write about the Choir.

I love their music, but I have no words to describe their music and how it moves me.  Even if I knew something about music, I wouldn’t dare try. How can one convey the romance and immensity and magic of a clear, starry night in the language of astrophysics?

I  won’t even try to describe what kinds of music the Choir performs. It just doesn’t feel right to place any brackets of ‘genre’ around wonderful musicians like these; they sing just about anything they set their hearts and minds on…and they sing it with indescribable beauty and passion.

The Choir has performed across India, across the world. And they come from Shillong, my hometown.

There, I’ve said all I can. I humbly offer a link to the Choir’s website, where you can listen to some of their works. For quick samples, try these: Gerua and The wind beneath my wings

And now, I listen to the Choir’s rendition of ‘When a child is born’…and soar away on the ethereal voices and the timeless wonder and joy and hope they echo:

“…And all of this happens because the world is waiting,
Waiting for one child
Black, white, yellow, no-one knows
But a child that will grow up and turn tears to laughter,
Hate to love, war to peace, and everyone to everyone’s neighbour
And misery and suffering will be words to be forgotten, forever…
It’s all a dream, an illusion now
It must come true, sometime soon, somehow
All across the land, dawns a brand new morn
This comes to pass when a child is born
…”

Musings

Jaipur’s Sea of Music beckons…

music summit 2019 collage 2

Does music move thee?

It does me. Music inspires me, transports me.   I’m always playing music in my head,  and tapping rhythms on any readily available surface, and so forth. Learned doctors, who wish to remain anonymous,  have confirmed that music is as essential to my sanity (such as it is)  as is oxygen to my life.

And that’s why I’m attending the India Music Summit 2019, that’s going to happen in Jaipur October 4th to 6th 2019. You can take a look at what’s being planned at the Summit here.

Like last year’s Summit which I attended, this year’s Summit too promises to be much more than a series of concerts at a fine venue by great musicians from across the world in a variety of genres —though that alone would be ample reason to attend!

To be at the India Music Summit is to be enveloped in and carried away on the waves of a gentle, infinite sea … on a timeless voyage through time, the essence of rhythm, guided by harmony and cadence and melody and rhapsody and mood and passion and sheer joy.  During the Summit the music fills day and night, it welcomes in the warm glow of dawn and soars deep into starlight, it resounds in the halls and serenades the gardens and lawns. The musicians not only play and sing for you but share their anecdotes and experiences and  knowledge and insights with you… and when you take a break from time to time to stretch a limb or to guzzle calories to fortify body and mind,  there the musicians are, wandering around the lawns just like you, beside you at the buffet tables, ever ready to exchange a smile and namaskaar and friendly word or three…

Everything is so wonderfully informal, yet the music is so incredibly pure, so rigorous, so utterly perfect. The Summit’s got a vibe like nothing I’ve ever experienced elsewhere.

When a dear friend murmured that among the 100 or more musicians that will grace the 2019 Summit are Vikku Vinayakram, Shiv Kumar Sharma and Taufiq Qureshi, any little hesitation I had about attending simply vanished.

She also mentioned the name of a pianist–drummer prodigy I’d never heard or even heard of earlier: Lydian Nadhaswaram.  Great God YouTube granted me a darshan of Lydian’s virtuosity: click here.

I mightn’t be a great drummer, but there are times when I can claim to have a good sense of timing…  I’ve already bought my tickets for Jaipur :).

Hope to meet you at the Summit,  upon the enchanted Sea of Music.

 

General ravings, Musings

Holland: Remembering Eternity…

It’s 43° C in the shade here in Delhi, with a scalding hot wind ripping the  leaves off trees and propelling kilograms of nano-sized dust particles through the tiniest cracks and crevices in the doors and windows to fill the room where I sit, listening to the air cooler roaring in futile rage, eating juicy chunks of chilled watermelon in between keystrokes and cheering myself with visions of my not-so-favourite netas roaming the streets and campaigning for votes in this infernal weather.

Indeed, there is Dharma in this world.

Delhi’s incendiary summer is a good time to remember the crisp chill of Holland’s winter. I visited Holland in December-January; a dreamy, timeless three weeks during which I re-learned the sublime and long-forgotten art of simply being. Base camp was my friend Udai’s apartment in Delft –  it’s the prettiest little town I’ve ever been in. Delft is young by Indian standards (it’s only 600 years old) but its history is linked closely—oh so closely— to the history of India, indeed of the whole world.  There was so much to see, to experience, to learn…not only in Delft but in Leiden, Rotterdam, The Hague … no, it’s impossible to find words to describe it all, I don’t know where to start, so  I won’t even try – at least not now.

Right now I’m just going to place a few photos of Delft, from here and there. Like this…

I did miss two things, briefly but deeply, in Holland.

One was seeing tulips carpeting the earth out in the countryside like in the photos I’ve seen. Winter is off-season for tulips. So, I plan visiting Holland again, in April/May 2020.

Yayy.

The other thing I missed is actually a person: a friend, the first Dutchman I ever met, I’ll call him Helm, for it wouldn’t be fair for me to use his real name without asking him, and sadly I can’t do that now because Helm and I’ve lost touch since we last met in Shillong in the mid-1970s. I was then pursuing an elusive college degree in Shillong, invigorated in my chase by the healing vapours of garden-fresh cannabis and affiliated psychoactive substances. Helm was a visitor to Shillong from Calcutta, over three successive years, each time just for a fortnight or so. He was a Masters student (of Comparative Religions, if memory serves right) at the Viswa Bharati University, Santiniketan (Calcutta); a few years older than I, tall, broad, strong, golden-haired, ruddy-faced, always clad in white kurta-pajama and clogs. Helm was learned, earnest, serene, yet with a ready smile and a huge laugh that could shake the dust and woodlice off the  rafters. Helm lugged his classical guitar along wherever we wandered—exploring the hills and rills, meadows and forests, taverns and caverns—and when the heady ganja and mellow kyat had soothed the spirits sufficiently and the comfortable silences had settled, he would pull out the guitar and pluck and strum beautiful melodies and belt out folk  songs – Dutch, sometimes English – in a powerful baritone. He even taught me one Dutch song: I only remember the tune now, the lyrics are long forgotten.

I learned much from Helm: about the beauty of all religions and the horrors inflicted across the world in the names of gods and prophets, about humanism, tolerance, the need to remain curious as a child throughout life, how travel can open minds. Helm didn’t educate me on the tulips of Holland, but he taught me a far more valuable life-skill, one that is deeply rooted in India’s glorious heritage and culture—the refined art of making the purest charas (hashish) from the cannabis plants that grow in such profusion in the meadows of Meghalaya. It was a primary objective of his annual pilgrimage to Shillong, to manufacture sufficient stocks of charas to keep him going in Calcutta till the winter break when he went home to Holland.  Thanks to Helm, I and a few friends drastically cut down our ganja-smoking; we switched to charas.

Wherever you are, Helm of Holland, may peace be with you. It was wonderful visiting your beautiful, eternal country: I remembered you, briefly but deeply, when there.  Who knows, the One willing, perhaps we shall meet again someday, in this life or in another, in some timeless rolling meadow filled with music and laughter and companionship and comfortable silences and mounds of stroopwaffel and the divine fragrances of tulips and mellow wine and ripening ganja plants in the sunshine…