General ravings, Potshots

C.V. of a 21st Century Kamsa

Media and Politicians’ perspective on Kuldeep Singh Sengar

 

Womans perspective
Womens’ perspective on Kuldeep Singh Sengar

 

CURRICULUM VITAE

Name:  Kuldeep Singh Sengar

Profile:

  • Indian politician, fourth-term MLA from Unnao, Uttar Pradesh.
  • A man of driving ambition (Note: does not drive trucks)
  • A man of conviction
  • A man yet to be convicted

Current position

  • On indefinite sabbatical in a Government Resort, Sitapur (U.P)

Professional career

  • 2002–2006: MLA, Bahujan Samaj Party (BSP)
  • 2007–2011: MLA, Samajwadi Party (SP)
  • 2012–2017: MLA, Samajwadi Party (SP)
  • 2017–present: MLA, Bharatiya Janata Party (BJP)

Achievements and Awards

  • Charged with burning passion for personal development
  • Charged with committing rape, murder, attempt to murder, criminal conspiracy, and criminal intimidation
  • Charged with perpetrating the Unnao rape case
  • Charged with intimidating and/or eliminating witnesses in Unnao rape case
  • Booked under the POCSO Act.

Prospects

  • 18 years’ continuous track record in hands-on politics
  • Flexibility in ideology and beliefs assures a long and bright political future
  • Specialized skills in managing governments based on coalition, collusion and collision

Contact

Shri Kuldeep Singh Sengar, M.L.A

c/o Jail Superintendent

SITAPUR DISTRICT JAIL

Jail Road, SITAPUR – 261001

(UTTAR PRADESH)

[Note: parcels and packages will not be accepted without prior notice]

Beastly encounters, General ravings, Musings

Anopheles Dream: an exploration into the Nature of Reality

I’m not sure what philosophy is.

It’s such a heavy, intimidating word: like ‘intellectual’.

I’ve read a few people who are called ‘philosophers’ – Russell, Thoreau, Camus, Huxley, Gandhi, Sartre, Vivekananda come to mind (and leave the mind as quickly as they come). I’ve found them really interesting and absorbing to read because…well…they are common-sensey in a kind of deeper way. They don’t use long, hard-to-understand words like ‘philosophy’. They talk about the simplest, most common day-to-day things: people, situations, events and feelings and emotions that you and I and everyone else feel and experience. But they delve so deep into these things they talk about that very soon you find you’re looking at and experiencing just about every possible thing in the universe.

Right now I sit here, muttering and stuck for ideas as I always am, while Tangerine Dream’s moody notes beat on my tympani and gently stir the frail wings of the mosquito that sits on the wall across the room, relaxing and soothing our respective muscles and joints and nerves jointly and severally in gentle, soporific and sonorous waves.

I stare at the mosquito. It stares back at me.

I drink, therefore I am…

I shift my stare to the white rectangle of a blank Word document. It too stares blankly back at me.

After profound thought, I decide to undertake a philosophical Exploration of Reality.

I touch the ‘Enter’ key.

Now.

I feel, I felt, the Enter key!  It felt hard but not too hard. As I pressed it down, I heard a slight, soft click. I released the pressure of my finger; the key sprung back. And even as I went through these steps, in a fraction of a second, I saw the blinking vertical line of the cursor dart down the white virtual page on the screen.  I felt, I heard, I saw.

All these things I understand well! I know what these senses are, of touch, sight, of hearing. As I do the sense of smell, of taste.

I am aware.

I know the shapes and hues of the hills and forests, the houses where I lived in childhood, the expressions on people’s faces; I can feel winter sun’s warmth, a neem tree’s cool shade, a caress, the slap of an affectionate cat; I know and can recall the taste of mango and rum, of keema and sambar; the sighs of pine trees and tired people in a queue, the howls of lonely puppies and unseated politicians. I know the smells of coffee, of freshly peeled oranges, of grass growing in a Himalayan meadow and smouldering in a chillum, of Mumbai in the monsoon and crowded Metro trains in Delhi.  I know the sights, sounds, smells, tastes, feels of the millions of things, living and non-living, small and big, that I have ever encountered in my long and misspent life and that have influenced me, shaped me, made me what I am.

But now I ask myself: are these sensory phenomena and their vasanas—their impacts on the sense organs by which I perceive them—really ‘real’? Do these phenomena actually have an absolute, immutable, non-relativistic quality about them? Do their characteristics transcend space-time, are they perceived the same way by others, human and non-human, irrespective of frame of reference?

Do bacteria shiver in winter the way I do? Are goats and dust-mites moved by music as I am?

‘Of course not!’ shrieks the Voice of Rationality in my skull. Pressed for evidence to the contrary or in favour, however, the Voice of Rationality subsides into muttering curse-words like an aggressive Delhi driver who’s not been allowed to overtake on the wrong side.

The Voice of Rationality, too, has no answer.

Ha.

If, then, a cloud of uncertainty hangs over the reality or unreality of the animate and inanimate things that impinge on my senses and enables me to sense them….what of my senses themselves? Are these senses with which I perceive the Reality around me false? These senses that have helped me define and delineate and categorize and sort and arrange and play around with the objects – living and non-living – that have surrounded me from birth, and indeed enabled me to create my version of Reality; are these senses ‘unfixed’, variable, entirely subjective, and therefore unreal?

‘Of course not!’ comes a feeble croak from the Voice of Rationality. ‘Because if indeed our senses are unreal, non-Absolute, then what you and I and everyone else’s devar and mausee and periappa think of as Reality is in fact Unreal. Illusion.

Ha!

In that case, I press on triumphantly, what I think of as Reality is real only to me –  this world of shapes, of objects living and non-living and their interactions with me and with one another, their patterns of behaviour – are quite unique to me, and me alone.

I, I alone AM.

Kazhudai vishtaham,whispers the mosquito on the wall. It has covertly been listening to my thoughts.

It is, I realize with a start, a Tamil-Sanskrit scholar whose ancestors date back to the Sangam era.

“Donkey’s droppings,” the mosquito translates helpfully, and takes flight.

I am chagrined, deflated. I am also bitten several times by the mosquito.

As I mentioned earlier before I rudely interrupted myself: philosophy and I don’t get along.

My moment of enlightenment (mosquito can be seen near right ear)

I find solace in Odomos, and in the fact that physicist Richard Feynman didn’t like philosophy too much either: he found it boring, pointless, filled with long, complicated words and explanations that didn’t seem to mean anything.

Feynman’s supposed to have said: “Philosophy is about as useful to scientists as ornithology is to birds”.

By his own admission, Feynman took an unholy delight in replying, in the most philosophical manner, to the too-clever-by-half questions framed by people who want to appear extremely profound and deep.

An example—Feynman’s reply to a question from the audience, at the end of a lecture he had given on the properties of light:

Q: When you look at something, do you see only light or do you see the object?

Feynman: The question of whether or not when you see something, you see only the light or the thing you’re looking at, is one of those dopey philosophical things that an ordinary person has no difficulty with. Even the most profound philosopher who’s sitting eating his dinner, hasn’t any difficulty in making out that what he’s looking at perhaps might only be the light from the steak, but it still implies the existence of the steak which he’s able to lift by his fork to his mouth. The philosophers who are unable to make that analysis and that idea have fallen by the wayside through hunger!

Hail Feynman, hail the great philosophers of MAD Magazine and other immortal epics.