Musings, Remembering

Cerebral cords and chords

[or, when Nothing threatens to become Something]

How time flies.

How time stands still.

Afternoon now. The 9th of July 2023. The mind in vacuous vacuum state, that so typically follows days of intense work.

I just did what I usually do…browse through a folder titled ‘Random Space’ in which I place all manner of scrawls on a continuing basis. This browsing activity acts on me like grazing on grass acts on cattle: it relaxes the fevered brain, especially when I delete utter rubbish that I come across (as happens quite frequently). 

Lest you don’t believe me, here’s something I found, written in February…in strangely similar mood. Strangely enough, it too dwells on grass grazed upon long ago…well, a refined form of grass anyway:  

[Verbatim…]

Feb 15th 2023:

Afternoon now.  After desultory work, editing news clippings after two days’ intense design and review of newsletter. What better time than to relapse into reminisce, to sink effortlessly through the decades to the dreamscape that was 1973–77…

Hawkwind plays, now, selected for me by that monstrous yet lovable Spotify algorithm. An album called, simply, Hawkwind. And now on the screen the calibri-11 and arial-9 exactly 17-point spaced mishmash of text melts and rearranges itself at dizzying speed, briefly I see shadowed faces in it, of friends of eons ago, Shankar and Raju, Kalyan and Raghu, Hocky and Sojan and Buddha and Rohan and Bhaiyya and Sen and Ronnie and Geeta and Meera and Shanks and so many others, appearing and dissolving in the cerebral grey-brown smoke that was so characteristic of Asharam’s hash (it came with golden seals on it, Farsi script too, all the way from Afghanistan, like chocolate bars but so much headier…12 rupees a tola.

A time when my monthly allowance—meant among other things for mess fees of 200-something rupees and for survival on the rest – was 300 rupees; at a time when dad’s salary back in Shillong was – what? About Rs 900 take-home?

Ah yes, I went through that 300 as smoothly as an otter through water, as Asharam’s hash went down the throat and lungs into the blood and brain. At least twice I ‘forgot’ the mess fees and asked dad for more; what were my excuses, I remember not.

And now, the lyrics from ‘Mirror of illusion’ caress the mind, draw me down, down the Great Chasm of Contemplation and hurl me over the raging, eternal,  Cataracts of Cerebral Chaos…

In the cold gray mask of morning I cry out
But no one feels the sound that I shout

And you don’t hear me through the tears you’ve shed
In the dreamworld that you’ve found
Will one day drag you down
The mirror of illusion reflects the smile

The world from your back door seems so wide
The house, so tiny it is from inside
A box that you’re still living in
I cannot see for why
You think you’ve found Perception’s doors
They open to a lie

Briefly, I emerge from the maelstrom at the shout of a remembered quote, echoing off the canyon walls:

One of the most important rules to follow on the Path to Contentment is to erase, on ongoing basis, any and all memories that evoke strong emotions:  good or bad. Especially the bad, which tend to burrow deeper and create far many more encrypted-password copies of themselves in different regions of the cerebellum.

[Alambusa IV: “Recombinant AI and other neuroquantal speculations”: Rakshasa Press, 2144 CE]

I try and follow this principle by efforts to keep up with what is being researched – and sometimes, discovered – in science. Usually, within minutes of reading something I achieve that utterly blissful amoeba-like state of complete blankness that restores equanimity with the blessed knowledge that with each passing second I understand even less than I did before, and that the end is in sight…but I’m never quite there (or I wouldn’t be writing this, would I?)

Consider this gem of an insight into the nature of ‘quantum entanglement’, from a most wonderful article dated 22 February 2023 in the Quanta Magazine  titled ‘Physicists Use Quantum Mechanics to Pull Energy out of Nothing’ [read it here]:

The trouble arises from the bizarre nature of the quantum vacuum, which is a peculiar type of nothing that comes dangerously close to resembling a something. The uncertainty principle forbids any quantum system from settling down into a perfectly quiet state of exactly zero energy. As a result, even the vacuum must always crackle with fluctuations in the quantum fields that fill it. These never-ending fluctuations imbue every field with some minimum amount of energy, known as the zero-point energy. Physicists say that a system with this minimal energy is in the ground state. A system in its ground state is a bit like a car parked on the streets of Denver. Even though it’s well above sea level, it can’t go any lower…”

I just love this idea of a ‘peculiar type of nothing that comes dangerously close to resembling a something.’

It reminds me of the description of the One in every religious book I’ve read.

It also reminds me of exactly how I felt when I first heard Rahul Gandhi explain, at length, his vision for India’s socio-economic development.

[Mercifully, this 5-month-old reminisce on nothing, tantamount to nothing, ended here…indeed, I’d forgotten all about it till today. ]

How time flies.

How time stands still.

Quick! Hit the delete button!

Musings, Remembering

Chords of memory

It’s amazing, how quickly one’s equanimity vanishes beneath the stresses and strains of living in our beloved Rajdhani.

In the present instance, by ‘equanimity’ I mean the peace of mind that I found at the India Music Summit in Jaipur (4 – 6 October). Time flew while I was there.  Now , barely a fortnight later, all that peace of mind too has flown out the window; my Delhi window that is,  beyond which the afternoon sun is hidden by a haze made up of equal proportions of PM10 particles, toxic fumes from factories and vehicles, and toxic abuse from a million marauding muttering motorists.

Where has all the music gone?

You know how it is sometimes with a wonderful childhood experience?  You remember you had a good time; but that’s all you can recall. It’s as though all the little details— the when and where and how, the who did what with whom and to whom and why, the people and places and happenings and all the other elements— have vanished from memory; they’ve been chopped up fine and atomized in Time’s great grinder and swirled in the waters of forgetfulness, and then slow-cooked with the spices of experiences and the tadka of love and joy and sorrow (stirring frequently all the while), till everything has become like one cerebral kootu.

And so, when you try and remember your childhood experience, you can only discern the kootu; a tasty but uniform, featureless stew.

Yet it takes just a random spark— perhaps a certain aroma, perhaps the way the morning sunlight gleams on a leaf, a certain voice or giggle or chord, or a stranger’s face that reminds you of someone you knew …and at once the years and decades fall away like dream’s architecture dissolves with awakening, and for a brief thrilling moment the wonderful childhood experience of ten years or fifty years ago returns in all its intensity and washes over you and renews you;  and just as you become aware of returning memory it vanishes …leaving you smiling, longing for more.

Sometimes, of course, you can seek out the spark yourself. And with music it’s really easy, music as a spark always works for me.

That’s what I did just now;  I turned to YouTube and sought Aruna Sairam. I found a wonderful performance by her with sarod player Soumik Datta, including  songs she’d sung at Jaipur! Here are two—the 500 MWe Durga stotram Aigiri Nandini, and the Kalinga Nartana joyously and passionately recreating young Krishna’s sport with the great serpent Kalinga.

And in less time than it takes the law-abiding but stressed-out Delhi motorist to yell “Abbe saale, wrong side pe kyon chalaa rahe ho!”, all my stresses and strains have evaporated. 🙂

I can’t wait to attend the 2020 Summit.   To temper my impatience, I just listened to, and share here, the ethereal voices of the Shillong Chamber Choir singing Vande Mataram:  as they did in Jaipur; singing here on another occasion, when Chandrayaan II silently circled the Moon and the Lander Vikram was lost; evoking what their songs always evoke in my mind, the embracing and celebration of Life with all its ups and downs, the joy and awe and grandeur of Eternity.